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Hitchcock: One Set Technique

ONE SET

The films most known for this technique are Rope and Rear Window. This is probably because both of those films were unique in other ways. Rope was shot in one continuous filming with only five cuts in 8o minutes. Rear Window was unique because the main character was not only confined to one set, but he was confined to wheelchair as well. This emphasized the feeling of entrapment Hitchcock set up by using one set. On a personal note, Rear Window is by far my favorite of these films. 


Film: Lifeboat
Year: 1944
Color: Black and White
Writers: John Steinbeck (story), Jo Swerling (screenplay)
Length: 96 min
Awards: Nominated for 3 Oscars.
Technique: One set
Note: Lifeboat was Hitchcock's only film for 20th Century Fox. 

Lifeboat is a World War II war film set entirely on a lifeboat. The film received an Academy Award nomination for Best Story. The film holds the world record for smallest set ever used on a film. It has never been beaten.

Film: Rope
Year: 1948
Color: Technicolor (his first film in color)
Director: Alfred Hitchcock
Writers:Patrick Hamilton (play), Hume Cronyn (adaptation)
Length: 80 minutes
Technique: Continuous shot, one set
This film is probably most well-known for the filming technique. In the whole 80 minute movies, there are only five edits. It depends on who you believe about why this was done. The truth is the long take really makes you feel like you are in the room observing everything like a fly on the wall. It effectively builds suspense by trapping the viewer in a confined environment and allows the viewer to see everything first hand taking out the need for side and back stories. 

Film: Rear Window
Year: 1954
Length: 112 min
Color:Color 
Writers: Cornell Woolrich (short story "It Had to be Murder"), John Michael Hayes (screenplay)
Awards: Nominated for 4 Oscars. 
Starring: James 'Jimmy' Stewart as L. B. Jefferies and Grace Kelly as Lisa Carol Fremontt
Stewart plays a wheelchair bound photographer spying on his neighbours from his apartment window. When he becomes convinced a murder has been committed, his guest goes over to investigate. Everything is shot from the photographer's apartment. His confinement to the wheelchair only escalates the suspense when he is helpless to assist his guest in her investigation and helpless to escape from his apartment. Most of the movie is shot from his point of view, but it does show him on occasion.

Film: Dial M for Murder
Year: 1954
Color:Color (Warnercolor)
Writers: Frederick Knott (play), Frederick Knott (screenplay)
Awards: Nominated for BAFTA Film Award.
Length: 105 min
While the play was written for a single set, the living-room of the Wendices' flat in London, Hitchcock decided to include a second setting in a restaurant, some views of the street outside, and a stylized courtroom montage.


csrd
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csrd said:

” On a personal note, Rear Window is by far my favourite of these films.”This is so because YOU have viewed them. I would have clicked the links if they were provided here to enable me too to view bits of them if not the full length films. Clarify the link of this lesson with other lessons in this curriculum.

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RLLillis
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RLLillis said in response to:
csrd
csrd’s post:
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” On a personal note, Rear Window is by far my favourite of these films.”This is so because YOU have viewed them. I would have clicked the links if they were provided here to enable me too to view bits of them if not the full length films. Clarify the link of this lesson with other lessons in this curriculum.

Hi, Dr. Srinivasan, Thanks for your note. This lesson was actually created before the links were working properly and way before embedded video was enabled. I do intent to redo this lesson and many of my others with embedded video in mid-May. Thanks again for your feedback. I totally agree with you. Video and color would make this much more interesting. As for a curriculum, I agree I need to have it more intertwined and less disjointed. I’ll need to do several more lessons for that. I have a full-time job and it’s my busy season so I won’t have a lot of time to devote it until mid-May.

Rear Window is also my favorite, because the feeling of entrapment and helplessness is so great with him confined to the wheel chair. Also, I’m just a big Jimmy Stewart/Grace Kelly fan.

Why is Rear Window your favorite?

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lechuck
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lechuck said:

Dial M for Murder has always been one of my favorite Hitchcock movies! I love mysteries, screams, and a little romance (for the girlfriend of course, hehe).

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lechuck
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lechuck said:

The only reason Rope had to cut in the first place was simply because the film roll could record no longer than 10 mins of footage. The film roll runs out and they have to replace it with a fresh roll.

Rachel, you’ll be surprised to know there are actually 10 cuts in Rope. Half are hidden and very unnoticeable. This was Hitchcock’s goal, and he did a great job doing it.

If you have the film, watch it, see if you notice the cuts.

Today’s average 35mm film can still only record 10 mins of footage, and I believe 16mm can record a little longer.

Of course, if you wanted to try to re-shoot Rope digitally (DV or HD), you can easily record up to 60 mins of footage on a DV tape, and if you reduce the quality, up t 90 mins. With HD it all depends on the size of your capture drive. You would probably need quite a hearty hard drive to record 80 mins of straight footage. I doubt many computers could handle a file that size.

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lechuck
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lechuck said:

If you want to find Ropes cut’s yourself, don’t read the below:

R1 (9:34) CU strangulation to Blackout on Brandon’s back.

R2 (7:51) Black, pan off Brandon’s back to CU Kenneth: “What do you mean?”

R3 (7:18) Unmasked cut, men crossing to Janet to Blackout on Kenneth’s back.

R4 (7:08) Black, pan off Kenneth’s back to CU Phillip: “That’s a lie.”

R5 (9:57) Unmasked cut, CU Rupert to Blackout on Brandon’s back.

R6 (7:33) Black, pan off Brandon’s back to Three shot.

R7 (7:46) Unmasked cut, Mrs. Wilson: “Excuse me, sir.” to Blackout on Brandon.

R8 (10:06) Black, pan off Brandon to CU Brandon’s hand in gun pocket.

R9 (4:37) Unmasked cut, CU Rupert to Blackout on lid of chest.

R10 (5:38) Black, pan up from lid of chest to End.

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RLLillis
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RLLillis said:

I actually do own a copy of Rope and I’ll watch it tonight with an eagle eye. I thought there were only 5 cuts so I’ve missed a few. Looks like there are 5 black cuts so I must have only seen those. Thanks for the details! I’m always looking for an excuse to pull out an old movie. That’s awesome!

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  • Posted 7 months ago.
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